Category: painting

  • Sesame Street Drama

    Sesame Street Drama

    Tenebrism is one of my favorite art concepts! The only problem is I get a little heavy handed with my shading. So for this month’s project, which centers on tenebrism and chiaroscuro, I wrangled that urge to make every shadow pitch black. (If you missed my last blog, there’s a quick overview of tenebrism vs. chiaroscuro.)

    I knew I wanted to paint something in grayscale and overlay the color. That way I could focus on the values and get the contrast just how I wanted it. But what to paint?? I scrolled and scrolled through old projects and sketches and there it was. The Yip Yips. 

    sesame street yip yip sketch

    I don’t even remember why I drew them, but they were already shaded, ready for tenebrist drama. They just needed something to look at. At first I thought I could plunk a candle down and have my single light source and get to work, but it just didn’t feel right. The Yip Yip martians were always trying to figure out some sort of technology like a phone or a radio. The solution? Use technology to figure it out!

    Since I was streaming, I used MixItUp to help out. My prompt command pulls an adjective, noun, and verb to give my something to draw, but I also have each one of those broken out into commands of their own. I hit that noun command until it gave me something that could work. Eventually it gave me cake, which made me think of cupcakes, and who doesn’t love a cupcake?? Plus I could plunk a candle in the top and still have the original idea. Sure, it’s not technology, but baking is all chemistry and that’s pretty amazing too!

    sesame street yip yip sketch with cupcake

    A few quick adjustments to the sketch and we’re off to the races! Next, I mapped everything out with three gray tones (light, medium, dark) and blended it all together. I wanted some different textures, so the martians were blended with a hair texture brush, the cupcake and table with the regular blender, and the eyes with the blur tool. 

    yip yip digital painting grayscale tenebrism

    This is the part where I changed course. The original plan was to use the Rubens color set and make this a Baroque-style painting, buuuuut… I couldn’t bring myself not to make the Yip Yips pink and blue. So the color set went out the window, but I did use one of the browns for the background!

    yip yip digital painting tenebrism

    After overlaying the color, the shadows were a bit washed out. There are a bunch of ways to deal with this, but I took the quick and dirty option. I used the airbrush tool and (gently!) swiped black over the darkest areas and it picked up those spots that really needed to be dark shadows. 

    yip yip tenebrism sesame street

    Now that it’s all balanced out better, we can call it done! Sort of? Sorry, but for me it’s just not dark enough! It’s chiaroscuro, but not tenebrism. For the sake of this article, and my heart’s desire for blackness, I corrected the contrast on the exported file.

    yip yip digital art sesame street

    Aaaaah, that’s better! And it still doesn’t go as dark as half my other stuff! I was 100% determined to do this in one sitting – and I did. It took six hours and I could spend another six picking at all the things my brain can’t unsee. But I think it was a good exercise in contrast and I’m pretty happy with it – yip yip yip yip yip yip yip yip uuuuuh huh!

  • Impressionist Art – Did I Do It?

    Impressionist Art – Did I Do It?

    When I started my little digital Impressionist painting, I made sure to go in with no expectations. If it came out great – great! If it came out bad – also great! The whole point was to try it out and hopefully learn something along the way. 

    It was definitely a rough start at first, but by the end I found a sort of rhythm. Somehow this blobbly colorful thing I was making started to look like something and I’m really happy with the result! Could there be improvements? Absolutely. Did I approach it the way an Impressionist would? I’m still not really sure about that. 

    However! I feel like a better artist having done this. I had to work against what I normally do (Blend, blend, blend! Make it darker!) and I think I really started to see my subject. When it was done, I didn’t really care that it’s a little off. I captured not only a moment, but all the things I felt about that moment in the movement and energy of the (digital) paint. 

    So who did I pick to paint? Chewy and my son! It wasn’t my original idea, but on the day I was thinking about the picture I took of my son laying with the dog on the couch. It’s one of my favorite moments and even though it was a few years ago, they still hang out like that to this day. As my aunt said when she saw the picture, “There’s nothing like a boy and his dog.” 

    And so without further ado, here’s my little Impressionist experiment: A Boy and His Dog

    Boy and His Dog digital impressionist style painting

    My one regret with this is that I forgot to turn on the time lapse recording. It would have been such a cool playback! At least there’s still the stream. You can watch it here. 

    Thanks for reading! I’ll see you in February for the next Artist of the Month!

  • Shifting Art Gears

    Shifting Art Gears

    October has just flown by! After the past few weeks of doing Inktober and Drawlloween and staying (roughly) on track, I realized that I haven’t done anything with jewelry, painting, or the site. Sorry about that! 

    It also got me thinking. I’m really loving drawing again. Not that I ever didn’t love it, but I’m rediscovering all the “behind the scenes” things that happen in art that make the experience of creating so robust. It’s deciding on concepts, looking at reference images, quick sketches to see if something will work, and starting over again when it doesn’t. It’s all the things that happen before the final piece is even started. 

    I’ve also been thinking that I don’t miss the fluid art. There’s only so much time before and after work and in between family activities. Every day is a choice of what to make – if there’s even time (or energy) to make anything at all. For me, fluid art was a stepping stone to bring art back into my life. It was something I could just make without having to worry about it too much (plus I learned how to make videos, which was super fun!). Then I started working on an old painting again. That got me thinking of ways to revamp old pieces and ideas for starting new ones – so the “fluid art phase” did what it was supposed to do.

    fluid art painting acrylic ink
    They’re everywhere!
    fluid art painting acrylic ink
    They’re here, too!
    fluid art painting acrylic ink
    And here!

    Now that my walls are covered in trippy paintings, I’m ready to move on. Of course, with Inktober I’m drawing every day again. So the natural progression seems to be to shift gears and focus more on that. I’m not going to make any more fluid art videos, but I do want to start recording my drawing and painting. 

    As for jewelry, I know I haven’t posted much about that here, but I’m going to keep going with that. I won’t be making any more Pebeo pieces, so I’m working on using up the Pebeo paint that I have left. For jewelry I’m going to focus on copper pipe necklaces and the “doogle” pins. There’s been enough experimenting and wasting supplies “in the name of science!” And it’s time to get the craft table under control. Seriously, it’s a mess. Time for some fall cleaning!

    messy craft table clean up
    So. Embarrassing.

    All of the Inktober stuff is coming as soon as the month is up! I feel like this year is miles better than last year, but we can talk about that in a few days when the pics go up. 🙂

    But for now, thanks for reading! Until next time!

    BTW, if you want to check out last year’s Inktober/Drawlloween fiasco, click here. 🙂